arkitekto
ARKITEKTO:
Project that is born in the 2006. Of the designer Ulises Arvizu (Mexico City, 1983). from the 2000 beginning like digital producer of self-taught way, moved away of the Mexican local scene. but in the 2006 it takes the pseudonym from ARKITEKTO to present his music. ARKITEKTO autodefine like constructor (more than like musician) sonorous atmosphere, where the minimal, tech and others things are interlaced, sometimes dance-floor music, sometimes music to listen in your room, but beats always beats direct of the heart.
ARKITEKTO (a.k.a Ulises Arvizu) THE DESIGNER
Designing, Ulises has been influenced of the same music that listens to “in my life music and the images and their relation with my daily life are what my spirit nourishes” he says. The tendencies minimal and deconstruction can be seen in their personal work, but at the same time the visual aggression and the organic form are others of the things that its work characterizes. His first musical collaboration in the Netlabel scene also is graphical making the covers for the project “Frequencies 2507” of which this very satisfied, “I hope that people enjoy the graphs as much as music”.
MAKING THE FRECUENCIAS 2507 THE GRAPHICS
My concept after hearing the tracks was to make an image for each artist and a global cover, maked fractals done of digital way like our music, but at the same time it uses real textures of watercolor and others elements to denote that not only we make music with machines, but also with much sensitivity. I tried to handle a general concept starting off of the cover, but that the cover for each artist had own personality, that the image reflected what it is listened to in tracks.
MY OPINION ABOUT OF "FRECUENCIAS..."
I believe that In Vitro it obtained something very interesting with “Frequencies 2507” next to several artist, with similar but nonequal musical tastes, creating rich compiling in sounds, without the necessity to know us personally (at least that is my case). We worked for a same objective from different places and I believe that it is an expensive manifestation of the global era that we lived, our music and the Netlabel scene also are within that global context,because we did not need to live in the same place to be near truth.
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